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: what’s it all about? what is ? how should one go about it? what are the best tips for obtaining professional ? this site provides a reference resource to answer these questions and more on . below is a brief introduction, and you can read more on specific issues in our blog . in work in progress by jon on 20 february 2011 read more -- what is ? first things first: typesetting in this context refers to using computers to arrange and format text. the word derives from the time when individual letters cast in metal were composited into lines of text. thin strips of lead were inserted between lines to create additional space between successive baselines (hence: “increase the leading”!). the internet offers many histories of typesetting . nowadays commercial typesetting uses software such as adobe indesign or quark xpress on a mac or pc. the document markup language latex is also still used, but largely in academia. we use multilingual to refer to the use of several languages within the text being typeset. in practice, “” is often used interchangeably with “foreign language typesetting” to mean typesetting in languages other than english. while this is linguistically incorrect, it does not seem unreasonable given that typesetting is an english word, and the default language of computing has long been english. therefore, this site does not restrict itself to the issues raised by typesetting one document containing many languages, but also looks at converting documents from one language to another. early : a typeface and language specimen sheet from 1728 by william caslon click image to enlarge. foreign language typesetting in indesign, quark, illustrator while many programs exist for manipulating text, any professional typesetting is mostly likely going to employ indesign, quark or illustrator. which is better for ? it depends on the project, but the answer is often “indesign”. it is not only an extremely powerful typesetting and design program, but provides good support for many languages. perhaps not surprisingly, indesign's sister product illustrator also provides good support for most languages. however, if you have to use quark for other reasons, not all is lost. its multilingual abilities have improved over the years, supporting unicode since quark 7, although it remains to be seen how well quark 9 builds on this . foreign languages, different scripts different languages use different writing systems. english is writen in the latin alphabet, also called the roman alphabet. the letters in this alphabet is often casually referred to as roman characters. these characters, with the additon of the odd accent, are in use throughout the languages of western europe and by extension in most of north and south america, australasia and central and southern africa. the same characters form the base of writing many central and eastern european languages, albeit with some extra letters. in multilingual typsetting terminology, these languages are often referred to as cee (central and eastern europe) to distinguish the fact these additional characters are required. further to the east, languages such as russian, ukrainian and bulgarian are written using the cyrillic script. all of the languages mentioned so far are written from left to right, but some writing systems (such as arabic) run from right to left. chinese languages can all be writen in one of two common scripts: simplified chinese being used in mainland china (the prc) and traditional chinese still in use elsewhere. simplified chinese is generally written horizontally from left to right. historically chinese, japanese, and korean were written vertically in columns going from top to bottom, with the columns arranged from right to left. both this arrangement and left to right, horizontal orientations remain in use in japanese, korean and traditional chinese. needless to say, the world contains many, many more writing systems: each fascinating in their own right with their own quirks and characteristics. uses some of these scripts more often than others! click image to enlarge. pic: 23prootie/wikimedia commons unicode anyone typesetting in languages beyond those of western europe needs to be unicode aware. unicode is what the name suggests: a unifying way of encoding the world's languages. think back to school and learning about the periodic table. now imagine a giant table, not of chemical elements, but of characters used in writing. in fact, the table has 109,000 characters covering 93 scripts. before unicode, character encodings tended to cover just one language and were often incompatible with each other, making truly multilingual documents and websites hard to implement. nowadays, unicode should always be the default. occasionally it is important to make this clear. for instance, when hiring a bengali translator, it would be crucial to instruct them to use unicode. diy in the 1990s, was an arcane art. there's no doubt that the process has become more accessible, but should you dive in and do it yourself? the answer to this depends on your project and the level of correctness you need. if the layout does not matter too much and you just need people to be able to read it then you can get reasonable results with little linguistic knowledge. however if your publication is more high end, or aims to educate or persuade, then you want the text to be than readable. it needs to be well presented. that means following local typographic conventions. for instance, in many slavic languages some single letter words “belong” with the word following them. any decent polish typesetter would never allow one of these to split over two lines. in french, many punctuation marks are preceded by a thin space. for instance, a colon or question mark should always have a thin space between it and the word before. however, in canadian french, fewer punctuation marks follow this rule: the colon needs a thin space, the question mark does not. breaking these language rules will not render the text unreadable. some readers may not even notice the specific errors, but just get a sense of “something wrong”. again it very much depends what level of professionalism and “correctness” the text needs to be perceived at. if you are planning to typeset a foreign language, it is often useful to look online for grammatical reference material, such as this pdf for canadian french typesetting . if you want to be sure your text is spot on but don't want to wade through this material, you should get a typesetter who is native speaker of your foreign language or look for a commercial service. there are several online and they are often inexpensive (certainly compared to getting some disastrously wrong and re-printing!) when working with several languages, no one can expect a multilingual typesetter to be fluent in them all. what can be important in “higher end” projects is to have a feel for each language. this can come from a basic level of that language, experience or even judicious use of online resources. issues might include where the english uses typographic emphasis, which words should be picked out in the translation, how headlines break naturally over two decks, and so on. getting the best price for services if you decide to use a commercial service, how can you get the best rates? foreign language typesetting is usually charged by the page, with typesetting rates varying by language. so be alert to any pages in your project that only have pictures, they should not be counted when calculating a price. of course, it is worth shopping around and getting a good price. google makes this easy. but what can you do to get the best rate? supply live english artwork. the work involved, and so cost, will often be increased if the only source artwork is a pdf. provide the english in indesign if possible. some services charge preferential rates. finish the english before you start other languages. making artwork amends over several languages can quic

URL analysis for multilingualtypesetting.co.uk

http://www.multilingualtypesetting.co.uk/blog

Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain name:
multilingualtypesetting.co.uk

Registrant:
Jon Wed

Registrant type:
UK Individual

Registrant's address:
The registrant is a non-trading individual who has opted to have their
address omitted from the WHOIS service.

Data validation:
Nominet was not able to match the registrant's name and/or address against a 3rd party source on 10-Jun-2015

Registrar:
Fasthosts Internet Ltd [Tag = LIVEDOMAINS]
URL: http://www.fasthosts.co.uk

Relevant dates:
Registered on: 23-Jan-2011
Expiry date: 23-Jan-2019
Last updated: 24-Dec-2017

Registration status:
Registered until expiry date.

Name servers:
ns1.hpdns.net
ns2.hpdns.net
ns3.hpdns.net
ns4.hpdns.net

WHOIS lookup made at 09:19:23 12-Jan-2018

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  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS multilingualtypesetting.co.uk

  PORT 43

  TYPE domain

OWNER

  ORGANIZATION Jon Wed

TYPE
UK Individual

ADDRESS
The registrant is a non-trading individual who has opted to have their
address omitted from the WHOIS service.
Data validation:
Nominet was not able to match the registrant's name and/or address against a 3rd party source on 10-Jun-2015

DOMAIN

  SPONSOR Fasthosts Internet Ltd [Tag = LIVEDOMAINS]

  CREATED 2011-01-23

  CHANGED 2017-12-24

STATUS
Registered until expiry date.

NSERVER

  NS1.HPDNS.NET 91.238.160.2

  NS2.HPDNS.NET 91.238.161.2

  NS3.HPDNS.NET 91.238.162.2

  NS4.HPDNS.NET 91.238.163.2

  NAME multilingualtypesetting.co.uk

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2018.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED yes

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